WHAT day is it? My Best Reads of 2012

A bunch of lie-mongers are conspiring to tell me it's the day before the last day of January in the year 2013. RIDICULOUS. But just in case that might be possible, here's my list of the books I enjoyed most out of the fifty I read in 2012. Most of the books were not actually published in 2012, but I want to tell you about the ones I liked best. If I took the time to write reviews of each, you might see this list sometime next year or perhaps in 2015, so let's just keep it simple. I can stand behind these with complete confidence, so look them up if you want to read something good!

Novels

The Handmaid's Tale – Margaret Atwood

Thunderer – Felix Gilman

The Dead Zone – Stephen King

The Night Circus – Erin Morgenstern

Ready Player One – Ernest Cline

Story Collections

The Universe in Miniature in Miniature – Patrick Somerville

At the Mouth of the River of Bees – Kij Johnson

After the Apocalypse – Maureen F. McHugh

Eyes Like Sky and Coal and Moonlight – Cat Rambo

In the Palace of Repose – Holly Phillips

Anthologies

(I didn't read many of these in 2012)

Dark Faith, edited by Maurice Broaddus and Jerry Gordon

Brave New Worlds, edited by John Joseph Adams

Non-fiction

Steal Like an Artist – Austin Kleon

To Each Their Darkness – Gary A. Braunbeck

Adventures in the Screen Trade – William Goldman

500 Ways to Be a Better Writer – Chuck Wendig

Making a Good Writer Great – Linda Seger

My CapriCon Schedule

Here's a lot of what I'll be up to for the weekend of February 9th to the 12th, at CapriCon! Note that I will be on panels with Cory Doctorow, Gene Wolfe, and many other excellent writers! If you're within reach of the Chicago area, why not stop by?

Retro-futurism Sure Beats the Boring Truth! - Thursday, 02-09-2012 - 4:00 pm to 5:30 pm - Birch B

A celebration of looking backwards to look forwards. Steampunk, the Jetsons, and NASA all had cooler ideas about how the future looked than it really did. Why is our imagined future so much hipper than the one we live in?

Tim Akers, Kerri-Ellen Kelly, Nayad Monroe (M), W. A. (Bill) Thomasson, Michael Z. Williamson

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Dystopia Now - Thursday, 02-09-2012 - 6:30 pm to 8:00 pm - Botanic Garden A (Special Events - Programming)

The Dystopian sub-genre of Science Fiction has seen a resurgence over the last few years. Why does this bleak sub-genre remain so popular? What are the definitive dystopian works?

Cory Doctorow (M), Paul McComas, Nayad Monroe, Gene Wolfe

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You Are Not Alone: Writers Groups and Critique - Thursday, 02-09-2012 - 9:00 pm to 10:30 pm - Birch A

Many SF/F writers, from Asimov to Tolkien, have belonged to writers groups or benefited from critique partners. How do these groups help an author hone her craft? Some members of writers' groups discuss their experiences.

Tim Akers, Eileen Maksym (M), Nayad Monroe, Michael D. Thomas

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Reading: Nayad Monroe - Friday, 02-10-2012 - 12:30 pm to 1:00 pm - River C (Cafe)

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Religion in Worldbuilding - Friday, 02-10-2012 - 4:00 pm to 5:30 pm - Botanic Garden A (Special Events - Programming)

Authors too frequently just change around the fixtures on a real world religion and insert it into their fantasy world. These writers will talk about how they go about creating original religions, and how the use of religion can drive worldbuilding and shape the story's narrative.

Tim Akers (M), Alex Bledsoe, Phyllis Eisenstein, Nayad Monroe, Gene Wolfe

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Welcome to the Glamorous World of Writing - Saturday, 02-11-2012 - 11:30 am to 1:00 pm - Botanic Garden B (Special Events - Programming)

Every writer began in the same place with some ideas and a blank page or screen. In this panel, SF/F writers discuss their origins and give advice to people who are just beginning their journey in the glamorous world of writing.

Phyllis Eisenstein, Roland J. Green, E.E. Knight (M), Holly McDowell, Nayad Monroe

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The SF/F Short Fiction Club Scene - Saturday, 02-11-2012 - 1:00 pm to 2:30 pm - Botanic Garden B (Special Events - Programming)

The SF/F short fiction markets have been described by author Elizabeth Bear as a "club scene" where authors experiment and bat ideas back and forth. These SF/F professionals talk about the current state of the short fiction markets and some of the exciting things happening in the medium.

Richard Chwedyk, John Klima, Mary Anne Mohanraj (M), Nayad Monroe, John O'Neill, Lynne M. Thomas

Preparing for Convention Panels

So hey! I'm going to CapriCon next month; it'll be February 9th through the 12th. As of today the program is not up on the website, but I've received my preliminary schedule and it is AWESOME. And also a doozy. I'm not going to post my schedule until it's finalized, but it's an exciting one that includes a turn at moderating, appearing on several other panels, and doing a reading.

I like to be really prepared for panels. Not only do I hate not knowing what to say, I also do not want to be boring. The truth is that I've sat in the audience for many disappointing panels at conventions. I've seen ones where no one knew who the moderator was supposed to be, and that meant not much thought had gone into the questions asked by the insta-moderator brave enough to step in. I've seen ones where the people on the panel didn't have much to say about the topic, or what they did have to say didn't come out in a particularly animated manner. Most people I know who go on panels are anywhere from perfectly fine to absolutely brilliant, because, well, I'm not drawn to dull people. But there's always room to grow, right? Since I'm probably not the only writer in the world who's deathly afraid of room-wide silences, I'm posting some of the pre-panel things I do in the hope that they'll be useful for y'all.

So! What do I do to get myself ready to speak on a topic in public with other people who may know anywhere from nothing about it to practically everything about it? Here's a list.

1. First of all, I assess what I know about the topic. I don't tend to offer up my public-opinionating services for topics about which I know absolutely nothing, but sometimes I don't know as much as I'd like to know, and that means it's time to do some homework.

2. I do some basic internet research to find out more about the people who will be on the panel with me and what they might know about the topic. I also try to familiarize myself with the main concerns within the topic and look for things I can read about it that I haven't read before.

3. I look at how much time I have before the panel and choose which things I have time to read before it's showtime, and take lots of notes as I read them.

4. I think like a moderator and make a list of questions about the topic that I may or may not need to use, as well as thinking about my opinions on those, so that: a) I'll have things to say, and b) I could act as a moderator in case of an emergency. This is not so that I can try to dominate the panel and make it all about me; seriously, I just don't want to sit up there going, "Ummm, I don't really have an opinion about that..." while the audience stares and fidgets.

The great thing about doing this kind of preparation is that is cuts way back on my nervousness and allows me to be relatively comfortable and creative while I'm up there on display. I do a bigger version of this preparation when I'm the official moderator, since I want to be absolutely certain that there will be many questions for me to ask the panelists.

I would love to hear your opinions about convention panels, and anything you've done to prepare for them if you've been on them! Have I been missing something? I mean, other than having a beer before it starts.