Sunday, January 29, 2012
Friends, I do not like this! I do not like it at all!
What is the point of this endless churning of bland gruel that passes for subject matter? Who are these people dutifully glopping out daily rations of this stuff as if it's going to feed anybody anything of nutritious value? And are we all so starving that we're going to approach the consumption of this reconstituted, lukewarm, glutinous information with any sort of appetite at all?
People of the internet, we need to fix this right now before we all get so accustomed to reading the daily non-topics that we begin to believe that they actually contain some value. Here is my proposal for keeping our minds alive:
First of all, let's give a collective yell of "FUCK BLOGGING ADVICE!" It's getting us nowhere. We can think up better advice for our own selves. We can decide what makes a fascinating post. We can be individuals with intensely weird interests. We can write down nutty thoughts of our own and arrange them by their correspondence to our deeply-held ideas on the meaning of the zodiac. We can spew extreme opinions one day and live to spew the opposite ones the next. We can each go to our wacky place or be academic or artistic or rude or anything else that gives us the giggles, and we can do it without help from so-called experts who only want to bait us in so they can get another few clicks on their blog without thinking hard or coming up with anything new. It's time to conquer the internet. By being specifically ourselves, we can get some variety going out there. We can BE INTERESTING. That's the last piece of blogging advice you or anyone else will ever need.
Friday, January 27, 2012
Here's a lot of what I'll be up to for the weekend of February 9th to the 12th, at CapriCon! Note that I will be on panels with Cory Doctorow, Gene Wolfe, and many other excellent writers! If you're within reach of the Chicago area, why not stop by?
Retro-futurism Sure Beats the Boring Truth! - Thursday, 02-09-2012 - 4:00 pm to 5:30 pm - Birch B
A celebration of looking backwards to look forwards. Steampunk, the Jetsons, and NASA all had cooler ideas about how the future looked than it really did. Why is our imagined future so much hipper than the one we live in?
Tim Akers, Kerri-Ellen Kelly, Nayad Monroe (M), W. A. (Bill) Thomasson, Michael Z. Williamson
Dystopia Now - Thursday, 02-09-2012 - 6:30 pm to 8:00 pm - Botanic Garden A (Special Events - Programming)
The Dystopian sub-genre of Science Fiction has seen a resurgence over the last few years. Why does this bleak sub-genre remain so popular? What are the definitive dystopian works?
Cory Doctorow (M), Paul McComas, Nayad Monroe, Gene Wolfe
You Are Not Alone: Writers Groups and Critique - Thursday, 02-09-2012 - 9:00 pm to 10:30 pm - Birch A
Many SF/F writers, from Asimov to Tolkien, have belonged to writers groups or benefited from critique partners. How do these groups help an author hone her craft? Some members of writers' groups discuss their experiences.
Tim Akers, Eileen Maksym (M), Nayad Monroe, Michael D. Thomas
Reading: Nayad Monroe - Friday, 02-10-2012 - 12:30 pm to 1:00 pm - River C (Cafe)
Religion in Worldbuilding - Friday, 02-10-2012 - 4:00 pm to 5:30 pm - Botanic Garden A (Special Events - Programming)
Authors too frequently just change around the fixtures on a real world religion and insert it into their fantasy world. These writers will talk about how they go about creating original religions, and how the use of religion can drive worldbuilding and shape the story's narrative.
Tim Akers (M), Alex Bledsoe, Phyllis Eisenstein, Nayad Monroe, Gene Wolfe
Welcome to the Glamorous World of Writing - Saturday, 02-11-2012 - 11:30 am to 1:00 pm - Botanic Garden B (Special Events - Programming)
Every writer began in the same place with some ideas and a blank page or screen. In this panel, SF/F writers discuss their origins and give advice to people who are just beginning their journey in the glamorous world of writing.
Phyllis Eisenstein, Roland J. Green, E.E. Knight (M), Holly McDowell, Nayad Monroe
The SF/F Short Fiction Club Scene - Saturday, 02-11-2012 - 1:00 pm to 2:30 pm - Botanic Garden B (Special Events - Programming)
The SF/F short fiction markets have been described by author Elizabeth Bear as a "club scene" where authors experiment and bat ideas back and forth. These SF/F professionals talk about the current state of the short fiction markets and some of the exciting things happening in the medium.
Richard Chwedyk, John Klima, Mary Anne Mohanraj (M), Nayad Monroe, John O'Neill, Lynne M. Thomas
Thursday, January 19, 2012
So hey! I'm going to CapriCon next month; it'll be February 9th through the 12th. As of today the program is not up on the website, but I've received my preliminary schedule and it is AWESOME. And also a doozy. I'm not going to post my schedule until it's finalized, but it's an exciting one that includes a turn at moderating, appearing on several other panels, and doing a reading.
I like to be really prepared for panels. Not only do I hate not knowing what to say, I also do not want to be boring. The truth is that I've sat in the audience for many disappointing panels at conventions. I've seen ones where no one knew who the moderator was supposed to be, and that meant not much thought had gone into the questions asked by the insta-moderator brave enough to step in. I've seen ones where the people on the panel didn't have much to say about the topic, or what they did have to say didn't come out in a particularly animated manner. Most people I know who go on panels are anywhere from perfectly fine to absolutely brilliant, because, well, I'm not drawn to dull people. But there's always room to grow, right? Since I'm probably not the only writer in the world who's deathly afraid of room-wide silences, I'm posting some of the pre-panel things I do in the hope that they'll be useful for y'all.
So! What do I do to get myself ready to speak on a topic in public with other people who may know anywhere from nothing about it to practically everything about it? Here's a list.
1. First of all, I assess what I know about the topic. I don't tend to offer up my public-opinionating services for topics about which I know absolutely nothing, but sometimes I don't know as much as I'd like to know, and that means it's time to do some homework.
2. I do some basic internet research to find out more about the people who will be on the panel with me and what they might know about the topic. I also try to familiarize myself with the main concerns within the topic and look for things I can read about it that I haven't read before.
3. I look at how much time I have before the panel and choose which things I have time to read before it's showtime, and take lots of notes as I read them.
4. I think like a moderator and make a list of questions about the topic that I may or may not need to use, as well as thinking about my opinions on those, so that: a) I'll have things to say, and b) I could act as a moderator in case of an emergency. This is not so that I can try to dominate the panel and make it all about me; seriously, I just don't want to sit up there going, "Ummm, I don't really have an opinion about that..." while the audience stares and fidgets.
The great thing about doing this kind of preparation is that is cuts way back on my nervousness and allows me to be relatively comfortable and creative while I'm up there on display. I do a bigger version of this preparation when I'm the official moderator, since I want to be absolutely certain that there will be many questions for me to ask the panelists.
I would love to hear your opinions about convention panels, and anything you've done to prepare for them if you've been on them! Have I been missing something? I mean, other than having a beer before it starts.
Thursday, January 12, 2012
I read 50 books in 2011, and I'm not going to list them all. Here are the ones that stand out in my memory as thoroughly recommendable. They're all great, but the starred ones are super-excellent must-reads, in my opinion. Alphabetically by author:
Books about Writing
Monday, January 9, 2012
This is my second try at writing this post! The first time I started to write it, I made the bad decision to type it directly into my blog interface. That might have been fine. I was almost done. Then I accidentally bumped my mouse against my keyboard, hit the back button, and thusly sent the whole collection of characters to Nonexistenceville. Which, as you can imagine, is not really a place.
Also, here's where I admit that I'm not going to describe the rest of my World Fantasy experience. It was fascinating for me to live it, but I think that reading about it might be like reading about someone's dream, only without the strange and dreamlike bits. We can't have THAT.
What I'm going to write about instead is what's changing in my life this year. Two things:
Thing One: I'm not reading slush for Clarkesworld Magazine anymore. I'm so grateful to have done it, and I owe huge thanks to Neil Clarke for the chance to learn so much about short stories through reading submissions for such an excellent magazine. I thoroughly enjoyed being part of the team, and I was reluctant to move on. After three years, though, I started to feel that it was time to reclaim that daily hour-plus and write more of my own fiction. I read just over 4,000 submissions in my time there. That's a lot of material.
Thing Two: This year I'm only writing short stories. For the last couple of years I've split my limited writing time between writing short stories and making a couple of attempts at writing novels. If I was on the former, I thought I should be doing the latter, and vice versa. The battle of the "shoulds" in my mind wore me out. Since I love short stories and I feel like I'm just starting to understand how to write the kind I want to write, I've decided to commit to short fiction for a year and take away the nagging feeling that I'm supposed to do something else with my writing time. I'm also planning to read more short stories of the published kind, instead of the slushy kind, to learn more about what TO do when writing stories. I've already grown an entire new section of brain to accommodate what NOT to do.
So far, this feels great. I'm closing in on the ending of my first short story of this year, and I have some plans forming for my second. I wake up with a sense of having extra time! For a change! And that is awesome. I also have a convention to look forward to for next month, CapriCon, where (I'm told) I will be on some panels, but I don't know which ones yet. Interesting surprises ahead! ;) What I have here is an optimistic mindset for January and beyond.
What are your plans for the year? Any changes, big or small?