Showing posts with label advice. Show all posts
Showing posts with label advice. Show all posts

Monday, January 1, 2018

How to Have a Good Year

(Here's Annabelle being a helper)

Sometimes, a day, month, week, or year is demonstrably bad. Plenty of objective evidence will back up your argument that it was simply and objectively a bad stretch of time full of bad events. SO MUCH is beyond a person's control. Anything you can't control is not your fault. This post is a list of ideas for the things you CAN control, because even if you can't fix everything it can often make you feel much better to improve something. I'll break my ideas down into a few categories. Please comment with your ideas, too.

IMPORTANT NOTICE: These are things to voluntarily try if you WANT to. Probably no one can do all of them. Maybe attempt one at a time, to see what works for you and what doesn't. If you find one you like, stick with that and then (if you WANT) try adding another. Perfectionism is a known way to ruin a year!

Oh, and for every single idea, mentally add the words "if possible" to the beginning. Don't do anything you can't or shouldn't do, just because I suggested it.

Physical Well-Being 

Your brain is just as much a part of your body as any other part, and it's where your thoughts and feelings come from. So I believe that a solid first step toward feeling emotionally good is to check in with what you're doing for the body you live in. Here are some things to try:

  • Drink more water.
  • Drink fewer sugary drinks (all the way down to zero, if possible).
  • Drink fewer artificially sweetened drinks.
  • Gradually reduce your caffeine intake to see if that reduces your anxiety level.
  • Try drinking tea (especially green tea) instead of coffee sometimes. It has less caffeine per cup, more health benefits, and can reduce your anxiety level if you drink it regularly... if I'm understanding my pop science articles correctly.
  • Reduce the amount of alcoholic drinks you have at a time, and/or the number of days you drink (I'm well-known to not be against drinking alcohol, but I do believe that there's such a thing as "too much.")
  • Add more servings of vegetables, fruits, nuts, and beans to your diet (obviously nothing to which you are allergic or that you've been advised not to eat by a qualified medical person who knows your situation). Even one more serving a day of nutritious food can make a big difference in the way you feel.
  • Take vitamins that are appropriate for you. That shouldn't replace good nutrition from healthy food, but it can fill in what's missing. Make sure you're not taking too much of any supplement, though, because that can cause problems.
  • Stand up and walk around for a couple of minutes after every hour of sitting.
  • Add more outdoor walks to each week.
  • Add more cardio workouts to your life, ideally on some sort of manageable, regular basis.
  • Take opportunities to stretch your muscles as often as you can.
  • Do some kind of regular practice to build your muscular strength.
  • Sleep on a regular schedule, ideally for 7 to 8 hours each night. You'll probably get better quality sleep if you give yourself some no-screen wind-down time for an hour or two before bedtime, in low lighting.
  • Get medical help as soon as possible for any kind of problem that's messing up your life, whether it's illness, injury, inexplicable pain, or distress. 
Emotional Well-Being

These are some ways to directly make your mind feel better. Some may work better than others for a particular person:

  • Be kind to other people as often as you can.
  • Don't set out to harm someone, even if you think they've harmed you. That will probably make you feel worse, eventually. It might lead to more negative interactions over time, too.
  • Write down three things you're grateful for each day, at a time that fits your schedule. I've often seen suggestions to do this either first thing in the morning, or just before bed. Another spin on this idea is to write down three things that went well either that day or the day before. 
  • Try to assume positive intent from other people, rather than hostile intent, at least before you know for sure. 
  • Don't expect perfection from yourself or anyone else. You're trying. They're trying. Often people have to learn from mistakes. 
  • Learn how to meditate, and try to fit in at least five minutes of meditation time each day.
  • Ask for help when you're struggling. Someone else might think of ideas you can't, or they may have resources you don't.
  • Spend time with friends and family in ways you enjoy. 
  • If you need to meet more people, join groups! You can find them online through sites like Meetup.com or Facebook, or you can check out places like libraries and churches to see if there are groups you can join. My local small-town library has a library volunteer organization, a book club, and free weekly movie screenings, plus activities for children. Most places will have some way to connect with like-minded people.
  • Avoid spending time with people who are draining or who cause you pain, if at all possible. Sometimes there are people you have to see at work, but maybe you can change something about that to make it easier. But in other situations, think about whether you REALLY have to spend time with someone, or you just believe that you SHOULD. Maybe you shouldn't, for your own well-being.
  • Learn something new.
  • Drop something that's a consistent waste of time.
  • Make something, whether it's a craft, a practical do-it-yourself project, a photo you can hang on your wall, or some cookies. 
  • Do or finish one project that's been on your mind.
  • Write in a private journal on a regular basis, and keep it where no one else will see it, so you can clarify your thoughts and express your feelings in a safe way. (If you believe someone's going to search through your stuff and find it, make whatever adjustments you need to free yourself from that feeling. Are you in a toxic relationship? Do you need to set better boundaries? Are you being paranoid? Any of these things might mean you need help from someone you trust).
  • Work on improving your financial situation, so that you can have more control over your life.
  • Get involved with helping others in a way that's meaningful to you. It could be volunteering, donating money or your possessions, writing blog posts to give advice, boosting signals for worthy causes, or anything else that you believe is helpful to people.
  • Make changes. If something about your life is really bothering you, seek out information and advice on how to change it (from friends, books, the internet), and then make a plan with manageable goals and steps to do.
  • Try to see the positive side of any situation, even if it's not completely ideal. "When it rains, look for rainbows. When it's dark, look for stars." (I don't know who originally wrote that, but I saw it quoted recently and I've taken it as my motto.)

Well, this became longer than I had expected it would! I guess I've absorbed a few ideas in 46 years of life. But I'm sure I don't know everything, and probably haven't remembered to write down everything I do know, so I hope you'll add your thoughts in the comment section! Just remember that we can't all do all of these things all the time (I certainly don't), and that even picking one thing to try for a while might really give you a boost. Happy New Year!



Monday, August 5, 2013

When Depression Strikes at the Worst Possible Time

Real depression is rare for me—like maybe one short bout every few years, due to circumstances. This summer I had the highest number of simultaneous high-importance deadlines of my life, and in the middle of those I had a sudden and painful interpersonal drama from the least likely direction, and then because of those things all at once, I strained my neck from sitting in front of the computer for way more hours than usual, under way more stress than usual. And then I took prescription pain medication for that and worked in a fog for several days, and then discovered this new dance craze called "withdrawal symptoms" (not actually either a dance or a craze).


So what did I do about it? And what can you do about it if a similar thing happens to you?

First, I took a couple of days to just rest. I did whatever I felt like doing. If it was crying, fine. If it was getting into bed and alternating between napping and staring at the wall, fine. I started with the easy ones like those and ended up with more enjoyable ones, like reading The Road, by Cormac McCarthy (because although it's grim, it gave me perspective on how my life wasn't really so bad), and listening to Maria Bamford's new comedy album, which is GREAT, and perfect for anyone who occasionally goes to the dark side in their thinking. I was still depressed at this point, but I started to feel it lifting slightly.

Then I listed all the things I thought I SHOULD get done, and narrowed the list down to only the things I HAD TO get done, with completion dates. I figured nothing was going to be much fun for a while, so I might as well just methodically go through my work step by step and stop having to worry about those obligations. That helped. I get a lot of satisfaction from checking items off a list.

Still in a funk, I added in exercise: taking long walks in the mornings, before it got too hot and sticky outside. I also fixed my nutrition by adding in more fruits and vegetables and reducing junky, fatty, and sugary foods (not eliminating, mind you, but cutting down). That's when I started to have longer stretches of feeling better, especially for the few hours after the walks. Those walks also gave me good opportunities to think through my problems and decide how I wanted to handle them. It's much easier to think when I'm away from my usual environment, which is full of chores and time-wasters like Facebook games. Which I had been playing too much in an effort to just not think about it for a while. That escape was probably helpful at first, but after a while it's time to stop hiding and make some changes.

This whole issue was why I delayed my Victory Mohawk. I wanted to be able to feel sincerely victorious for those pictures! And I did.

Now I am back to my usual level of cheer, with some new insights, and my energy level is back up. So! If you have occasional funks or depressions, following a similar process may be helpful. If you have serious depression frequently, add a call to your doctor ASAP, because frequent, intense depression is an illness that needs treatment just like any other serious illness.


Sunday, July 14, 2013

AUTHOR INTERVIEW: Amanda C. Davis

Note from Nayad: Last interview of the series! I've been posting interviews
with authors contributing to my speculative fiction anthology, WHAT FATES IMPOSE: Tales of Divination, which is all about the conflicts and problems that make people want to predict the future, followed by the new problems that come from trying to find out what's next.

It's also the last day of the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE, and although we are fully funded (yay!) you can still get in on it to pre-order the book and get awesome rewards until 8pm Central TODAY, July 14th, 2013. All extra help we get will go toward the finishing details for the book and making more books like it possible, because we want to keep on creating anthologies and paying authors the pro rates they deserve.

You can easily tell your friends about the project by using this page to give us three clicks. Time's almost up!
 

Amanda C. Davis writes short stories in the genres of science fiction, fantasy, and horror. Her work has appeared in Shock Totem, IGMS, three Triangulation anthologies, and others. She works in the combustion industry by day and spends her nights baking, live-Tweeting horror movies, and embarking on the occasional harebrained scheme (with varying results, but at least her failures make entertaining blog posts).

Amanda's story in WHAT FATES IMPOSE: Tales of Divination, "The Scry Mirror," shows how managing one's expectations is a crucial element of happiness, and it digs into some seriously creepy depths.

Here's Amanda with her thoughts on writing and what looks like an awesome egg recipe: I'm going to have to try it! *for a solid three minutes, mirrors around the world reflect the wrong images*

Do you have any advice for aspiring writers?

Depends. Put enough coffee in me and I'll lecture for hours. On the other hand, I'm constantly telling my crit partners that I'm always wrong about everything. I'd probably better just stick to that for now.

Which subjects and themes do you write about often, and why?

I'm definitely one of those writers who pulls the same themes over and over again. I love sacrifice and loss, dread, the realization that you've been wrong for a really long time. Following your duty to a terrible end. I like to treat magic like science and science like magic. And I've got this stable of character types who keep appearing in various shapes and sizes, to the point where I've named them, and can recognize them and their hybrids even where I didn't expect them. I couldn't speculate on why. It'd just get embarrassing.

What's your favorite story of all the stories you've written, and why?

I don't necessarily have a number-one favorite, though within genres, I'm more satisfied with some than with others. Can I pick two? People seemed to like "Drift" and "Shimmer."

What do you like and dislike about the process of writing a story for a themed anthology?

I pretty much love everything about it. I thrive on deadlines, and I approach prompts and themes as puzzles where I have to find the approach that's maximally appropriate, unique, and interesting to write. The only downside might be that stories written to theme can be harder to place elsewhere, which is why (shh, trade secret) I often incorporate a second or third element that's in regular demand. And anthologies! I adore them. Don't get me started. I'm so excited about the table of contents in What Fates Impose, so excited to read it.

Where can people find other published work of yours?

All my published work is linked from my bibliography. Earlier this year, World Weaver Press released a collection of my sister Megan Engelhardt's and my fairy-tale retellings, available in a vast bouquet of formats, and we're very proud of it: http://worldweaverpress.com/books/wolves-and-witches/

What else would you like to tell people about any subject?

One egg. Quarter teaspoon coarse-ground black pepper. Half tablespoon crumbled feta cheese. Two tablespoons chopped baby spinach. Scramble, fry on medium-high, flip when the bottom holds together on a spatula and the top is solid enough not to slide off. Fold in half. Top with ketchup or hot sauce according to taste, but you don't need it; that's a lot of black pepper.

*
 
Last day to get involved! The WHAT FATES IMPOSE Fundraising Campaign closes TODAY, July 14, 2013, at 8pm Central. Join us and be a part of making history!
AUTHORINTERVIEW: Erika Holt



Saturday, July 13, 2013

AUTHOR INTERVIEW: Erika Holt

Author Interview: Erika Holt Note from Nayad: The series continues. This week I'll post interviews with authors contributing to my speculative fiction anthology, WHAT FATES IMPOSE: Tales of Divination. If you want to read twisty tales about struggles with destiny, this anthology is for you. I hope you enjoy these author interviews!

As of this posting we have only 30 more hours to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE, and WE ARE FULLY FUNDED. Yay! We're up to $5,185 from 217 Beloved Backers!

You can still pre-order the book and get awesome rewards until 8pm Central on Sunday, July 14th. All extra help we get will go toward the finishing details for the book and making more books like it possible, because we want to keep on creating anthologies and paying authors the pro rates they deserve.

You can easily tell your friends about the project by using this page to give us three clicks.


Erika Holt lives in Calgary, Alberta, where she writes and edits speculative fiction.  Her stories appear in Shelter of Daylight Issue 6, Evolve Two: Vampire Stories of the Future Undead, and Tesseracts Fifteen: A Case of Quite Curious Tales.  She is also co-editor of two anthologies from EDGE and Absolute XPress: Rigor Amortis and  Broken Time Blues: Fantastic Tales in the Roaring ’20s, and assistant editor of Nightmare Magazine. I can give you my personal guarantee that she's fun to drink with!

Erika's story in WHAT FATES IMPOSE: Tales of Divination is called "Murder of Crows," and it's a chilling tale about the nature of trust, belief, and terrible choices.

Now here's Erika to tell you about her methods of developing stories, some of her favorite writing themes, and her thoughts on divination. *all the crows in the world startle into flight*

Thursday, July 11, 2013

AUTHOR INTERVIEW: David Boop

Author Interview: David Boop Note from Nayad: The series continues. This week I'll post interviews with authors contributing to my speculative fiction anthology, WHAT FATES IMPOSE: Tales of Divination. If you want to read twisty tales about struggles with destiny, this anthology is for you. I hope you enjoy these author interviews!

As of this afternoon we have only three more days to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE. We're up to $4,663 from 192 Beloved Backers. That's an amazing 93%, but we still need $337 to get to $5,000. The Countdown Is Happening. We're SO CLOSE. :)

If you'd like to help out, you can easily tell friends about the book by clicking here. If you contribute any amount from $1 on up at our Kickstarter page, you will get our first bonus art download in addition to whatever rewards you choose, and we're only 8 backers away from making that TWO bonus art downloads. Will you help us? Because we would love to create this book and pay our authors pro rates for their work.

 
 
David Boop is a novelist, short story writer , and super-friendly guy. I first met him after he was on a panel at NorWesCon. I don't remember the topic of the panel, but I remember the title of his book, which was such a good title that I needed to compliment him on it: She Murdered Me with Science. He's is also in a table of contents with me in Space Grunts: Full-Throttle Space Tales #3, edited by Dayton Ward, as well as having stories in a bunch of other tables of contents! He offers flash fiction critiques for one of the reward levels in our fundraising campaign.
 
David's story for WHAT FATES IMPOSE: Tales of Divination is called "Dipping into the Pocket of Destiny." It shows how trying to get an edge over the competition depends on both the quality of your information and the context around it, so you need to keep an eye on cause and effect.
 
Here's David with some context for you! *as the strand of fate that brought you here is woven into place, Events of Significance begin to play out*
 

Wednesday, July 10, 2013

AUTHOR INTERVIEW: Cat Rambo

Author Interview: Cat Rambo Note from Nayad: The series continues. This week I'll post interviews with authors contributing to my speculative fiction anthology, WHAT FATES IMPOSE: Tales of Divination. If you want to read strange tales about predicting the future, you've found the right book. I hope you enjoy these author interviews!

As of this afternoon we have only four more days to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE. We're up to $4,356 from 183 Beloved Backers. That's 87%, but we still need $644 to get to $5,000. The Countdown Is Happening. But we're so close!

If you'd like to help out, you can easily tell friends about the book by clicking here. If you contribute any amount from $1 on up at our Kickstarter page, you will get our first bonus art download in addition to whatever rewards you choose, and we're only 17 backers away from making that TWO bonus art downloads. Will you help us? Because we would love to create this book and pay our authors pro rates for their work.

Author Interview: Cat Rambo
 
(Photo by On Focus Photos, http://onfocusphoto.com)


Cat Rambo lives, writes, and teaches by the shores of an eagle-haunted lake in the Pacific Northwest. Her 200+ fiction publications include stories in Asimov’s, Clarkesworld Magazine, and Tor.com. Her short story, “Five Ways to Fall in Love on Planet Porcelain,” from her story collection Near + Far (Hydra House Books), was a 2012 Nebula nominee. Her editorship of Fantasy Magazine earned her a World Fantasy Award nomination in 2012.

Cat's story in WHAT FATES IMPOSE, "To Read the Sea," is a powerful and unsettling flash fiction story about the magical objects that come from the ocean, and the dark motivations of the people who want them.

Here's Cat to tell you about divination and the many ways to do it, as well as her thoughts on writing. *tides around the world impossibly rise all at once*

Tuesday, July 9, 2013

AUTHOR INTERVIEW: Remy Nakamura

Note from Nayad: The series continues. This week I'll post interviews with authors contributing to my speculative fiction anthology, WHAT FATES IMPOSE: Tales of Divination. If you want to read strange tales about predicting the future, you've found the right book. I hope you enjoy these author interviews!

As of this afternoon we have only five more days to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE. We're up to $4,267 from 178 Beloved Backers. That's almost 85%, but we still need some help to get to $5,000. The Countdown Is Happening.

If you'd like to help out, you can easily tell friends about the book by clicking here. If you contribute any amount from $1 on up at our Kickstarter page, you will get a bonus art download in addition to whatever rewards you choose! Will you help us? Because we would love to create this book and pay our authors pro rates for their work.



Remy Nakamura is a graduate of the Clarion West workshop, and one of the excellent writers contributing to Inkpunks, and I personally covet at least one of his shirts (the one he was wearing when I met him in the middle of the night at WorldCon in Reno). His story for WHAT FATES IMPOSE: Tales of Divination is called "Pick a Card." It features Tarot cards and a tortured man in prison who seeks a way out.

I'll let Remy take over now to tell you about his reasons for using Tarot cards, his themes, and the way he came up with the idea for his story.
*Ferris Bueller-style group dances start up on stairways across America*

AUTHOR INTERVIEW: Jamie Lackey

AUTHOR INTERVIEW: Jamie Lackey Note from Nayad: The series continues. This week I'll post interviews with authors contributing to my speculative fiction anthology, WHAT FATES IMPOSE: Tales of Divination. If you want to read weird stories about fortune-telling, this is the book for you. I hope you enjoy these author interviews!

As of this morning we have only five more days to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE. We're up to $4,116 from 171 Beloved Backers. That's 82%, but we still need some help to get to $5,000. The Clock of Let's Get Serious is now ticking.

If you'd like to help out, you can easily tell friends about the book by clicking here. If you contribute any amount from $1 on up at our Kickstarter page, you will get a bonus art download in addition to whatever rewards you choose! Will you help us? Because we would love to create this book and pay our authors pro rates for their work.



Jamie Lackey lives in Pittsburgh with her husband and their cat. Her fiction has been published by over a dozen different venues, including The Living Dead 2, Beneath Ceaseless Skies, and Daily Science Fiction, and she has appeared on the Best Horror of the Year Honorable Mention and Tangent Online Recommended Reading Lists. She reads slush for Clarkesworld Magazine, works as an assistant editor at Electric Velocipede, and helped edit the Triangulation Annual Anthology from 2008 to 2011. Her Kickstarter-funded short story collection, One Revolution, is available on Amazon.com.

Jamie's story in WHAT FATES IMPOSE, "Another Will Open," gives us a look at the difference between easy answers and hard choices, and how to pick a direction. Here she is with her thoughts on where that story came from and some advice for aspiring writers.

Monday, July 8, 2013

AUTHOR INTERVIEW: Tim Waggoner

AUTHOR INTERVIEW: Tim Waggoner
Note from Nayad: The series continues. This week I'll post interviews with authors contributing to my speculative fiction anthology, WHAT FATES IMPOSE: Tales of Divination. If you want to read weird stories about fortune-telling, this is the book for you. I hope you enjoy these author interviews!

As of this morning we have only six more days to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE. We're up to $3,879 from 160 Beloved Backers. That's almost 78%, but we still need some help to get to $5,000. The Clock of Let's Get Serious is now ticking.

If you'd like to help out, you can easily tell friends about the book by clicking here. If you contribute any amount from $1 on up at our Kickstarter page, you will get a bonus art download in addition to whatever rewards you choose! Will you help us? Because we would love to create this book and pay our authors pro rates for their work.

Tim Waggoner Author Interview Photo

Tim Waggoner is a popular, award-winning horror writer who has published over thirty novels and three short story collections, and also a creative writing teacher at Sinclair Community College and in Seton Hill University’s Master of Fine Arts in Writing Popular Fiction program. His story in WHAT FATES IMPOSE, "The Goggen," is a creepy modern fairy tale about the darkness lurking behind waterfalls and inside human minds.

Here's Tim with great stuff about his writing themes, writing advice for you, and how the I Ching gave him the right wisdom to get him started as a professional writer. *out of nowhere, an orchestra starts playing dramatic classical music*

Friday, July 5, 2013

AUTHOR INTERVIEW: Sarah Hans

AUTHOR INTERVIEW: Sarah Hans Note from Nayad: The series continues. This week and next I'll post interviews of the authors contributing to WHAT FATES IMPOSE: Tales of Divination. FACT: I am pleased and proud to be able to work with each of the authors in this book, because they're all great people. I hope you enjoy what they have to say!

As of this morning we have only nine more days to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE. We're up to $3,448 from 140 Beloved Backers, but we still need some help to get to $5,000!

If you'd like to help out, telling your friends is free and easy by clicking here, and there are reward levels from $1 on up at our Kickstarter page.


Sarah Hans is a writer, editor, teacher, and steampunk enthusiast. Her first anthology, SIDEKICKS!, contains one of my short stories, and has inspired at least two short films that are in development right now. Her story for WHAT FATES IMPOSE, "Charms," explores blackmail, identity, and difficult choices, using runes as a method of predicting the future.

Here's Sarah! Sharing her thoughts on Tarot, reluctance to get her fortune told, and writing from the perspective of characters different from herself. *showers of glitter confetti*

Thursday, July 4, 2013

AUTHOR INTERVIEW: Ferrett Steinmetz

AUTHOR INTERVIEW: Ferrett Steinmetz Note from Nayad: The series continues. This week and next I'll post interviews of the authors contributing to WHAT FATES IMPOSE: Tales of Divination. KNOW THIS: every one of these authors has a shot at becoming your next favorite author, because they're all that good. I hope you enjoy what they have to say!

As of this morning we have only ten more days to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE. We're up to $3,398 from 137 Beloved Backers, but we still need some help to get to $5,000!

If you'd like to help out, telling your friends is free and easy by clicking here, and there are reward levels from $1 on up at our Kickstarter page.



Ferrett Steinmetz is a Nebula Award-nominated author. He has been mentioned by Neil Gaiman in at least one public speech as an example to show that creative writing can, in fact, be taught. His story for WHAT FATES IMPOSE, "Black Swan Oracle," gives us a chilling look at how predictable people and their choices can be, and the outcome of making such predictions.

Now here's Ferrett! Who can explain to you how vacuum cleaners lead to Deep Thoughts about the divination prospects of social media, and also give you solid, get-to-work writing advice. *a thousand muppets flail at once*

Wednesday, July 3, 2013

AUTHOR INTERVIEW: Alasdair Stuart

AUTHOR INTERVIEW: Alasdair Stuart Note from Nayad: The series continues. This week and next I'll post interviews of the authors contributing to WHAT FATES IMPOSE: Tales of Divination. ADVISORY: every one of these authors is full of talent and marvels. I hope you enjoy what they have to say!

As of this morning we have only eleven more days to go on the Kickstarter Fundraising Campaign for WHAT FATES IMPOSE: Tales of Divination. We're up to $3,368 from 136 Beloved Backers, but we still need some help to get to $5,000!

If you'd like to help out, telling your friends is free and easy by clicking here, and there are reward levels from $1 on up at our Kickstarter page.


Alasdair Stuart's introduction to WHAT FATES IMPOSE is the kind of inherently interesting piece of writing you often see as a non-fiction article but rarely get to have at the beginning of a book, because someone wrote in some Publishing Scripture somewhere that nobody actually reads introductions, but you still have to have one for Reasons. Well, you're going to want to read this one. I mean, first of all, it's called "Singing from the Book of Holy Jagger." It must come from a different sect than that Publishing Scripture I mentioned. But you don't have to just believe me about how good it is. You can listen to Alasdair reading the heck out of a portion of his intro on the project's page by clicking that great big arrow in the middle of our cover image.

And here he is! It's Alasdair! With ideas about divination, and thoroughly correct writing advice. *cheers*

Wednesday, June 19, 2013

Using Multiple Talents: Freedom or Folly?

(I almost called this post "When Art Mind Attacks!" You'll see why in a minute.)
  


I struggle with wanting to do All The Things. I have many, many, many, many, many, many, many interests. But for the purposes of this post, I'm going to write about the main two interests at war in my head: art and writing. Or writing and art, depending on the day. I'm going to throw aside such social niceties as humility and modesty and say that I'm good at both. Not OUTSTANDING at either, you understand, but definitely good. With time and practice, maybe I could be really good at one or the other.

The trouble is that they keep stealing time from each other, the brats. How am I supposed to make forward, linear progress when I practice one thing for a while, and then switch to the other thing for a while, and keep going back and forth?

Friday, June 14, 2013

7 Ways to Improve as a Writer

PREMISE: Every writer can get better at writing.

QUESTION: How?

The standard advice you hear about how to get better at writing is to write more, finish your projects, and submit your work. You're told to write either a certain number of words or for a certain amount of time every day, ideally at the same time of day, and after a while this is supposed to magically make your writing better.

The trouble with that, I think, is that it leads to people just churning out words at the same level of quality—the level where they started. Any improvement is slow. The advice to finish projects is the best part of it. Learning to finish one story and start another one is important. Submitting them is also important, but personal rejections are rare; getting a bunch of form rejections doesn't tell you anything about what you need to improve.

Tuesday, June 4, 2013

Tips for Giving Useful Story Critiques

It's currently fashionable to give brutal critiques for fiction. The idea is that for a writer to improve at writing, she must receive the most blunt, strongly-worded responses possible from the people who evaluate her work. This will toughen her up. If she can't take this type of criticism, she is told, she will never, ever make it as a writer.

I'm not so sure that we need to be this extreme about critiques. A critique is a detailed analysis and discussion of a literary work. I think that, too often, people are encouraged to shift from a critical analysis of a story's merits and faults to being critical, or "inclined to find fault or to judge with severity, often too readily."

We speak English. We have so many words to choose from. You can clearly express thoughts about a story's strengths and weaknesses without being brutal, and without being too soft and fuzzy. There's a middle ground. For the purposes of this post, I'll think in terms of critiquing a short story, but this stuff should all be applicable to novels, essays, and even poetry.

On to my tips!

Friday, May 31, 2013

Why Enjoying Solitude Helps Me Meet Conventions Full of People

A while back, Ferrett Steinmetz wrote a great blog post called Surviving Cons: A Guide for Socially Anxious Writers. I recommend that post for the many excellent tips it contains. There's another reason, though. In the post, Ferrett recommends me as an outgoing person who likes to introduce friends to each other at conventions. He's correct: that's what I do! But after six years of going to conventions, it's still funny to me that I am that person, because whenever I go to a convention my first step is to get psyched up for some alone time. My approach to being social ends up being different from Ferrett's, but I think that between the two of us there's an idea for just about anyone who wants to have a better time at these things and meet more people.

Part of the problem with social anxiety, I think, is the expectations that go with it: feeling like at any given event you need to act a certain way, impress people, and make a ton of friends immediately, or you will look like a loser. That's a lot of pressure to put on yourself in a situation, and pressure is a known reducer of fun. I'm a proponent of easing up on yourself and taking a slow, easy approach to making friends. Yes, conventions are for meeting people, but no, you don't have to meet all of them all at once. It takes practice to shift your attitudes and expectations, but in my experience, it's been worthwhile.

As I was saying the other day, I learned to have good relationships with people by learning to treat myself well and enjoy solitude. Because of that, when I go to a convention I get prepared to happily hang out by myself all weekend. I know that I can go to panels alone, browse for books and jewelry in the dealers' room alone, lounge alone in my room in the morning without having to rush off anywhere, sit in a restaurant and eat alone, and it will be nice. It will be a relaxing break from my normal life, and I will have a good time.

Because I feel this way, I can walk into a convention feeling comfortable even if I don't know anyone, and I end up meeting people easily because there's nothing terrible at stake. I don't need them to like me or spend time with me. I'm there to take in the event by myself, but I try to spend my time in public areas to give myself the chance to meet people if I want to. If someone says something interesting on a panel, at the end I'll go up to introduce myself and chat for a minute. I'll compliment the cool outfit someone's wearing. If one of the book dealers is feeling talkative, I'll hang out and have a conversation with them and anyone else who comes along when I'm standing there. No pressure, and we can all wander away in a minute. I'm happy to meet people—ask anybody, I love 'em!--but I don't feel like I have to be with people all the time.

But the magic sometimes happens when I see one of those people around again, and we end up having a drink in the bar. Or maybe we'll bump into each other at a party. A couple of joking remarks later, we're in a real conversation, and they introduce me to their friend who comes over. That leads to another friend, and another. Or not. I might move on and introduce myself to someone else, or decide that I'd rather go and read a book. Feeling relaxed, and intending to fulfill my own emotional needs, tends to put me into the right state of mind for enjoying the moment I'm in, rather than thinking about what I may be missing or what will come next. That helps me to pay attention, remember people's names, and think of questions to ask them so that the conversation flows freely.

Why does this work? It's a matter of managing expectations. By lowering my expectation of what others should provide for me, and raising my expectation of what I can provide for myself, I go to the event with the plan to make my own fun. Instead of looking for the solution of getting attention from other people, I'm free to be spontaneous and have attention to offer out. I don't have to worry about getting something wrong; I can just be, and see what happens.

When a conversation develops, it helps to watch the other person's cues: to listen for hints about what they'd like to talk about, or detect visible signs of whether they want to keep talking or move on. Being responsive to what the other person wants is the nicest thing you can do. In my experience, people act like they appreciate that at some level, even if they never articulate it. I'm not saying to ignore your own preferences, but it's helpful to be willing to make the conversation more fun for the person who's in it with you. It's easier to have that attitude if you're not feeling needy.

After six years of attending science fiction and fantasy conventions, along with keeping in touch with people I meet online, I don't know if I could find a convention where I wouldn't know someone anymore, not that I'm looking for such a thing! Part of the fun of going is being able to see friends and acquaintances, and part of it is being able to introduce them to each other. But I still like to know I won't be disappointed if I'm on my own.

Tuesday, May 21, 2013

How To Say No When You Need To

Making decisions is hard. Disappointing people is no fun. But it's impossible to do everything, so sometimes I need to say no to people who ask me to do things. Here's why it's important to do that, and how to make it easier.

I'm writing this post because a few months ago, I sent out invitations for people to submit stories to my forthcoming anthology, What Fates Impose. I got three types of answer: yes, no, and "no response." Those non-responses left me feeling a bit freaked out, with many unanswered questions on my mind about why I didn't hear back. I'm not here to try to make anyone feel bad about not responding. In some cases, they may not have received my email, or other things I didn't know about may have been going on. However, some of them may have felt uncomfortable with directly saying no, as many people are, or they may have believed that it didn't matter.

Here's why it matters. We all have the same amount of time: not enough. I understand if you don't have time to work on a new project. I often have the same problem. That's why I'd rather get a quick, polite negative answer than wait around for an answer that never comes. I just want to know where I stand with you, so I can proceed. Here are two easy notes you can send to tell me no ANYTIME YOU WANT:

*

1. If you don't want to work on THIS project, but you might want to work with me in the future:

Dear Nayad,

Thank you for inviting me to submit a story. Unfortunately, I can't commit to this, but please think of me for other projects in the future.

Sincerely,

You

*

2. If you don't feel convinced you want to work with me at all:

Dear Nayad,

Thank you for inviting me to submit a story. Unfortunately, I can't commit to this, but I hope the project goes well for you.

Sincerely,

You

*

(You don't have to wish me well on the project if you REALLY don't want to work with me, but it's a nice touch. SOCIAL SKILLS, Y'ALL.)

These basic templates are easy to customize. If you know the person, include a little personal note. Ask about their cat. Sign off with "Best" or "Take Care" or, if you're really close, "Hugs." If you really would have said yes, but there were unavoidable obstacles, mention that. Ultimately, though, it is way better for your business and personal relationships if you say SOMETHING rather than NOTHING.

Monday, May 20, 2013

How I Learned to Be Social Despite Having Introverted Parents

The other day I wrote about How Being Social Helps Me as a Writer and an Editor, and now here's my post about how I learned how to do that.

My parents are both very nice people, and they are thoroughly introverted. Their home is their restful place away from other people. They don't get the notion to invite friends over. It's just not their thing, and that's okay.

Anyone looking at me when I was a child, if they were inclined to think about introverts and extraverts, would surely have thought I'd turn out to be an introvert. I was shy and quiet. I liked to read. I played by myself, and didn't really understand other kids. I didn't smile much, and when I did it was with my lips closed. I was SERIOUS.

Anyone who saw me then and saw me now, with a gap in between, would think that the child they'd seen had been replaced by someone else. Anyone who knows me now would be SHOCKED at the quiet mini-me, if they could see her. I'm just so different. So what happened?

We moved from a small town to the suburb of a big city just a couple of weeks after I turned twelve, when I was in the middle of sixth grade. The move was a big change, and I was suddenly around a whole new set of kids who had no expectations about what I was like. I didn't transform all at once, but I was trying new things simply by having to meet new people and make new friends if I wanted any, and then over the next few years I was increasingly interested in boys, too. I had the inclination to be extraverted, but it took me a while to develop some of my social skills because I needed to be around more people to learn them. It worked well for me to learn the ways of introverts when I was younger, fitting in with my family, but as a teenager I found that I wanted to expand outward and understand how to interact with people better.

Then I went too far with that and became clingy and needy, which made people push me away. That was upsetting, so I turned to self-help books.

The best one, strangely, was called Intimate Connections, by David D. Burns, M.D. I say "strangely" because the premise of this book is that in order to develop good friendships and find love, you need to learn how to really enjoy being alone. How to treat yourself as well as someone you would date. So I was learning how to be social by learning how to be alone. It's odd that a person growing up with introverted parents would need to learn that being alone is good, given examples of people who craved alone time, but I did. This was a life-changing book for me at a time when I really needed it.

What I learned was that there's a reason for this phenomenon most people know about: when you're single and looking for someone to date, or you're lonely and looking for friends, it's often hard to find them because you have a needy vibe. People sense that you want them to fix your life, and this is off-putting. When you stop looking and start to enjoy being single and don't even want to date, instantly you meet people who want to date you. It's because you're happy with your life, and happiness is attractive. Therefore, depending on a relationship to make you happy, or friends to make you happy, will limit your ability to have relationships and friendships. It's important to find your own happiness. The trick is to like yourself.

Everything I've learned about being social since then has been layered on top of that principle. It's not about being selfish or putting myself first; it's about treating myself well, and maintaining my own stability so that I can give affection to others, and listen, and be helpful whenever possible. This means knowing my own limits so that I can say "no" when I need to. I can't help everyone all the time. I have to do my own stuff. But if I have some time and there's something I can give freely and without resentment, I give it.

Coming soon: Why Enjoying Solitude Helps Me Meet Conventions Full of People

Also coming soon: How to Say No When You Need To

Wednesday, May 1, 2013

Anthology Submission Strategies that Work for Me

As I've mentioned before, all of my published fiction is in invitation-only anthologies. Now, I still haven't published huge numbers of stories, but my acceptance rate for anthologies has been very good. I'm here to tell you what I did, in case it might be helpful for you. I know for a fact that as an editor, I appreciate writers doing at least some of the following things.

First thing! If you want to improve your chances of getting invited to submit stories for anthologies, it is very helpful indeed to:

  • Go to writing conventions focused on the genre of your choice, and meet and be friendly with as many people there as possible, regardless of whether they seem like they can help you. BE NICE TO EVERYONE. Listen to them. Don't talk about yourself all the time. Ask about their work before you talk about your work (ideally, don't even talk about your work until they ask you about it). Have a cool business card and give it to them; ask if they have a card, but give them yours even if they don't.
  • Find a non-obnoxious way to let the world know that you like working with guidelines to write stories. Some writers actually hate doing that. I LOVE IT (<--see what I did there?). If you're going to be obnoxious, like me, be obnoxious in the best way you can!
  • Have a blog in which you write about things that interest you a couple of times a week. Penelope Trunk has excellent advice about that for you. Also, her career and homeschooling blogs are both outstanding, and she is hugely influential in my life right now. As she says, blogging lets people know your ideas about working in your field, and it helps them to know when and why to hire you. MAKE SURE YOUR CONTACT INFO IS ON IT. Many writers are super-cagey about their email addresses these days, presumably because of spam and trolls, or maybe because they haven't learned how to politely say no to requests, but speaking as an editor, it's hard to send you guidelines if there's no email address to send them to. I may be a weirdo, but I don't like those email forms people have on their websites.
  • Okay? So next, whether you have an invitation to submit or you're taking a whack at an open-call anthology, here are my tips.

    Crucial, In My Opinion

  • Read the guidelines at least twice before you do anything else.
  • Know how long it usually takes you to develop and write a story, and schedule time to do that work, plus a little padding to cover things like getting sick, dealing with emergencies, having story troubles, general stress, and wandering in beautiful meadows to clear your head.
  • Write the deadline down on a calendar that you will use (paper or digital). Also write a reminder on the date you need to start working on the story. Otherwise you may forget all about it and miss the opportunity and have to admit to the editor that you forgot (I'm your editorial witness to the fact that this happens).
  • The first idea you get for a story? Don't use it. The second idea? Don't use that, either. Push into the territory of three or more ideas, twisting things around as much as you can, before you pick one to develop. Make it as "you" as you possibly can within the framework of the guidelines. Find the idea that only you would think of, because those first two ideas are pretty much guaranteed to be the ideas everyone would think of.
  • Turn in your story ON TIME at the LATEST. As in, on the date of the deadline, no later. I know time is hard! But still. Really. You might get an acceptance for a late story, but you won't look good doing it.
  • It's much better for you and your chances if you turn in your story EARLY. As in, as much before the deadline as you can manage while still submitting a reasonably finished and clean manuscript that you've read over a couple of times, and edited.
  • If it's really, truly impossible to turn in your story on time, like for emergency reasons, and an editor is expecting it, then email the editor as soon as you know you're running late, and be genuinely apologetic for the inconvenience, and grateful for any extension she can give you. But really try not to be late. Don't be late because you can't miss your favorite TV shows, or whatever. Keep your commitments.
  • Write a story that's within the length range specified in the guidelines. That's provided for a reason. If the guidelines say to query about longer stories, then query. If the guidelines don't mention ways to work out exceptions, don't try to work out an exception. Give the editor what she asked for.
  • Also Helpful, Possibly

  • If you know of anthologies on a similar theme to the one you're writing for, read at least a handful of the stories in them if at all possible, and look at the titles. See what's already out there, and get a sense of which ideas might be different enough to get your story noticed.
  • If you can, take a look at the editor's previous anthologies to see what kind of stories she's accepted before. This may not be very helpful, because tastes change and you need to stay true to your own voice when writing anyway, but, for example, if you hardly ever see a first-person POV in her previous anthologies, consider not using that POV for your story. Things like that are worth considering.
  • Depending on the editor, it may be okay to ask questions to get more information. Be careful about this, because some editors don't like to be bothered. I'm happy to answer writers' questions about my opinions and preferences when I'm editing. If I were running a contest, I'd have to give everyone the same information and not give anyone an advantage. If I'm soliciting material for a book, I want to get the best possible stuff for the book, so I appreciate it when people are motivated enough to find out what will work for me. This is probably another area in which I'm a weirdo, but I will cheerfully accept that designation.
  • This is getting long! Let me know if there are other tips I've missed.

    Tuesday, April 16, 2013

    Five Important Reasons to Worry about Divination

    For crucial safety reasons, here are some things you need to know about the practice and perils of predicting the future, and what seeking foreknowledge of future events might mean for you.

    1. Deceit sleeps with greed. When choosing an augur, prognosticator, oracle, or prophet, remember that for every human need there is a scam artist to profit from it. Consider this before placing your hopes and fears in the hands of that palm-reader who arrived in town with the carnival. How much would you pay to know the future? Everybody knows that there's money to be made here.

    2. A prophecy never lies; it is only its meaning which deceives. Do you know the motivations of that helpful person offering you a vision of your future? What if he has his own agenda? What if he's steering your life in order to get revenge, prestige, or who knows what else? Or suppose he's being completely honest: what if you misunderstand what he tells you?

    3. You often meet your fate on the road you take to avoid it. Positive fortunes are nice, and many people get them in their readings. What about those not-so-nice predictions? Can you change things and avoid the fate that's seen for you? Classic tales of divination show the hapless fortune-seeker running from her fate, only to bring it closer with every change she tries to make.

    4. Your dearest wish will come true. Suppose you have a goal. You're working your way toward it and you seem to be making progress. Then the fortune-teller says you'll get it. Then what? Must you continue working, or do you stop and wait for it to arrive? Does it somehow seem less enticing once the uncertainty is gone? Maybe now you'd rather have something else.

    5. When fate throws its dagger, you may catch it by the blade or by the handle. How will you meet your fate? With grace or with awkwardness, joy or terror, acceptance or rejection? This is something to think about when you decide whether you really want to know what fate has planned for you.